Mega-Universe: main definitons

Realizing that my knowledge of epistolary genre and didactic methods of narration are not at a height, I think, there is still the necessity to point out all the above mentioned more distinctly:

 1.Our mega-universe consists of two universes divided by the border of light and darkness. Respectively, - our universe (НВ1) and anti-universe (АВ2)

2.The whole «material» component (objects, subjects, formations etc.) are applied on «cinefilm», consisting of ethereal layers, various frequency of «stuffing», and are represented by invaginations and vacuoles.

 3.Stuffing of each layer is represented in form of sinusoidal standing waves, of various frequency, divided by limits. Set of layers before their repetition, is represented by the strata, which in their turn, are divided by two limits or gravitation border (in form of triplex).

4.The film is «woven» on two bobbins. At that bobbin (АВ 2) in the dark side of mega-universe contains the image of events in «negative», and during scrolling of film with its transfer into light half of mega-universe (МВ 1) the image is «developed» and fixed by the viewer in the point of visualization, as an event.

5.Change of events (snapshots) is perceived as flow of time.

6.Material part of objects, subjects is always situated and «lives» only in frame, and frames are strictly divided between themselves. That is why in case of «defects» of printing of objects (subjects) in the point of initiation, change of geometry etc. of the snapshot, there arise various sudden appearances, disappearances, distortions of «highlighted» objects (subjects), as well as their sudden transformation etc., which is perceived by us as a wonder.

7.Flesh (material, ethereal, part of objects, subjects) is created in form of photo-optic systems, which, during transfer of light give holographic image, which is perceived by viewers as images.

8.Soul is informational components of objects (subjects), which reflects their last condition and is used as «matrix» for application of images on cinefilm (frame-by-frame) in form of negative image, in the point of initiation.

9.The soul «slides» within the limits of information field, connected with «flesh» and unlike the last exists continuously (while flesh exists frame by frame).

10.The «cinefilm» itself is situated in circulation, which at its long-time use causes entropy of «depicted» in frame images, appearance of artefacts etc.

 11.Film movement, because of availability of variety of layers in it, provides appearance of such TIMELESS PHENOMENA, as electricity, magnetic field, gravity.

12.To timeless phenomena not connected with frequency of «blinking» of frames in the point of visualization belongs light and its derivatives (flame, plasmoids, and other photo-optic effects) herefrom their «behavioural» puzzles. The ancient people knew about such arrangement of mega-universe, that is why they practically did not use technologies, there was no need in them up to a certain time. For example, to move some megalith they did not need wheel or lifting crane. It was enough to loosen, disseminate, reset to zero the light energy, «highlightening» the object, or subject. (E=mc2),E-0, m-0), and to conduct manipulation within the frames of gravitation limits. The means of cognition and communication were realized within the limits of information field, put it plainly, ancient people felt and understood better destination of their souls. They knew the power of Word and finally, Creator's Provision. Reading about mystery of Mayan calendar, victory of pharaoh near Kadesh, Shumeria astronomic «discoveries» and other heating imagination histories, artefacts, archeologic hypotheses, remember about above mentioned photo-optic effects, timeless phenomena and other non-standard manifestations. Then mysteric phenomena will lose «secrecy label» and complete «unexploredness», mystery, «alieness» etc. Remember that the so-called technical progress is in fact just a «crutch» for decrepiting human essence. And in many ways those are right who already for a long time speak about degeneration of a human, both its flesh and dying soul. I realize that such view makes our life «dull», and search of Shambhala senseless, however.